“I expect that was it,” Joan confessed. “It interferes with our reason at times.” “I wasn’t really,” explained Mr. Folk. “I just walked and talked naturally. It made rather a sensation at the time. Your mother was a genius. You have never thought of going on the stage yourself?”!

Joan sat next to him at the round dinner-table with the child the other side of him. She noticed that he ate as far as possible with his right hand—his hands were large, but smooth and well shaped—his left remaining under the cloth, beneath which the child’s right hand, when free, would likewise disappear. For a while the conversation consisted chiefly of anecdotes by Mr. Airlie. There were few public men and women about whom he did not know something to their disadvantage. Joan, listening, found herself repeating the experience of a night or two previous, when, during a performance of Hamlet, Niel Singleton, who was playing the grave-digger, had taken her behind the scenes. Hamlet, the King of Denmark and the Ghost were sharing a bottle of champagne in the Ghost’s dressing-room: it happened to be the Ghost’s birthday. On her return to the front of the house, her interest in the play was gone. It was absurd that it should be so; but the fact remained. They fell into a silence. Joan found herself dreaming.

“Save her from what?” demanded Joan. They were at the far end of the corridor; and the few others still promenading were some distance away. She had not delivered the whole of her message. She crossed to a seat, and he followed her. She spoke with her face turned away from him. She walked with him to Euston and saw him into the train. He had given up his lodgings and was living with her father at The Pines. They were busy on a plan for securing the co-operation of the workmen, and she promised to run down and hear all about it. She would not change her mind about Birmingham, but sent everyone her love.